ARCHIVE

• INTRODUCTION
• CHRISTOPH HESSE - It Happened Elsewhere: Godard’s Last Revolt
• F. MARONE and V. NAPOLITANO - Cecilia Mangini and Alina Marazzi: an Italian Story
• ELISA UFFREDUZZI – The “Urban Theatre”, in Gillo Pontecorvo’s Algiers
• THOITHOI O’COTTAGE – Screen Minimalism in Mami Sami: Voicing Unquiet Silence
• PROSHOT KALAMI - No One Knows About Persian Cinema: B. Ghobadi’s Songscape of Revolt
• DWAYNE AVERY – (Un)Homely Revolt in Laurent Cantet’s Time Out
• GINA ANNUNZIATA - On revolution. Tunisian Cinema Before and After
• MARIANA A. C. da CUNHA – The Iconography of Revolt in G. Rocha’s Black God, White Devil: Landscape, Narrative and Spectacle
• NOTES ON THE AUTHORS

• JESKO JOCKENHÖVEL – What Is It If It’S Not Real? It’S Genre, Early Color Film And Digital 3D
• STEVE CHOE – Embodying Cinematic Stereopsis: 3D and James Cameron’s Avatar
• VESNA MADŽOSKI – Avatar Cat People – The Others In 3D
• Conversation On 3D: With MICHELE PARENTE (Www.3Dita.It)

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• GINA ANNUNZIATA, Orientalism and Women in Italian Silent Cinema. A Study of the Female Characters in Enrico Guazzoni’s Movies
• MANUELA RUIZ PARDOS, Unruly Brides, Career Girls and Suburban Wives: Female Archetypes and Cultural Dilemmas in Classical Hollywood Comedy
• JÉRÔME SEGAL – MONIKA KACZEK, Molly Picon and the Cinematic Archetype of a Jewish Woman
• TERRY S. KIM, Godard and His Women: Anna Karina in Vivre sa vie and Brigitte Bardot in Le Mépris

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• STINNE KROGH POULSEN, History, Memory and Nostalgia in Childhood Films
• JANET FINK, The Responsibilities of Looking and Seeing: Broken Homes and Troubled Childhoods in 1950s’ British Cinema
• LINDSAY NELSON, Ghosts of the Past, Ghosts of the Future: Monsters, Children, and Contemporary Japanese Horror Cinema
• LOUISE WILKS, Loose Morals and Sex Maniacs. Childhood Memories and Interpretations of Sexual Desire in Atonement
• TERRY S. KIM, The Child as Guardian
• TANIA CONVERTINI, From Ponticelli to Posillipo: a Child’s Emotional War in Capuano’s La Guerra di Mario
• ANNIE BERKE, “Thank Heaven For Little Girls”: Women Playing Girls in Silent Cinema

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• INÊS DIAS, The Gaze and Female Subjectivity in The Murmuring Coast
• CRAIG FROST, Regendering the Final Girl: Eli Roth’s Hostel
• CRISTINA GAMBERI, Vogliamo anche le rose The docu-diary of Alina Marazzi
• CAMILO GOMIDES, Submission to Desire: The Patriarch and the Female Protagonist in Three Films by Buñuel
• JAMES HANSEN, The Origin of the World: Reclaiming the Power of the Female Body in Anatomy of Hell (Anatomie de l’enfer, 2004)
• CODRUTA MORARI, Deconstructing Female Authorship: Reflections on the Phenomenology of Style and the Feminine Truth

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• DWAYNE AVERY, The Decline of the Family – The Decalogue’s Urban Politics of Uncertainty
• PROSHOT KALAMI, THOU SHALT FORGET NOT THY PAST: Interrogating (Euro)Polish Identity in Decalogue VIII
• A. K. ANDERSON, Process and (Kieslowski’s) Reality: Images of God in Decalogue
• MYUNG-HYE CHUN, Ethics and religion: Reflections on Krzysztof Kieslowski’s The Decalogue 1 with Jacques Derida
• STEVE JONES, ‘Against what you did’: Interpersonal Distances and Morality in Decalogue 5

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• THORSTEN BORTZ-BORNSTEIN, Would you accept a politics of “Multi-Realism”?
• REBECCA VARTABEDIAN, Special Effects, Special Status, Lie, Visual Effects and Stephen Price’s Perceptual Realism
• NITZAN BEN SHAUL, Ideological Implications of Baudrillard’s Concept of Simulacra
• BENNET SCHABER, On Writing (and Lying) in Cinema
• Conversation: Giovanni Invitto

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• EYLEM ATAKAV, Double Imprisonment: On Metaphor Imprisonment in the Cities of Demirkubuz
• DWAYNE AVERY, Utopias for Sale: Private Security in the Double City of Alphaville
• M. HUNTER VAUGHAN, The Subject and Object in the Modern Cinema
• RUSSELL MANNING, The Fatal Strategy of the City
• ERIC BREITBART, Urban Space in The Battle of Algiers

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• VITTORIO GIACCI, Cinema, Responsibility and Formation
• MARIA WAY, Do Cinema Journal have Responsabilities?
• JOHANNES EHRAT, Cinema and Reality
• Conversations: Adrian Martin, Francesco Casetti, Stanley Cavell

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• KIRSTEN LENG, Gender, Dystopia, and the Reaffirmation of the Modern Social Order
• TARJA LAINE, Love is a Dangerous Game
• ERIC BREITBART, The Controlling Image: Cinema Power, Labor Power

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• ANNA M. DEMPSEY, After The Wall: Remembering and Reinventing the Former GDR
• ENZO LANGELLOTTI, Cyclical Redundancies: Memory and Oblivion
• JENNA NG, Remembering History, Rewriting Memory
• HENRY TAYLOR, Memory of the Future
• CHIARA TOGNOLOTTI, The Work of the Memory and Knowledge

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• GREG TUCK, The Madonna, Mother Love and Infanticide in The Cell
• MARK C. RANEY, A Matter of Love & Death
• T. AIELLO – B. RIFFEL, The Anhedonic Among the Camellias: Woody Allen and Reflective Love
• ADRIAN MARTIN, Love’s Moment: Before Sunrise and Before Sunset
• FRANCESCA LIGUORO, Sensorial Transmissions: Erotic Love and Filmic Form
• Conversations: André Ceuterick, Paolo Romano – Giancarlo Beltrame.

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• BRIANA BERG, Shifting Identities: Postmodernism, Self and American Cinema
• MARIANGELA FORNARO, The Dark Side of Identity
• BIANCA HERLO, Identity, Memory and the Research for Historical Representation
• ERIN FOSTER, Set Design and Character Study in Frida (2002)
• YEKHAN PINARLIGIL, Ixe: An Experimental Manifestation of Marginal Forms
• STEVEN EASTWOOD, Towards a “Film” Tactic: Film Can Help Us Think Thought
• DANIELA IANNOTTA, Thought Provoking Cinema

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• PIERRE SORLIN, How the Postman rang three times
• FRANCESCA LIGUORO, Movie Dissonance
• CONSTANZE GESTRICH, The Diverse Live of an Indian Maharadja
• NICOLA DUSI, The Internal Variant
• HANS MAES, A Celestial Taxonomy of Remakes?
• SAVAS ARSLAN, Zorro of the East
• JOHN MIGLIORE, Becoming Audience Conscious
• DANIEL HERBERT, Horrors Derived
• HENRY M. TAYLOR, The Capgras Syndrome in Film
• Conversation: Giulio Manfredonia

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• FRANCESCA LIGUORO, Traduttori – Traditori: The italian version of A Place in the Sun
• GIUSTINA D’ORIANO, Translated Thoughts: “Two” versions of Alain Cavalier’s Thérèse
• MARIANGELA FORNARO, Listening to the Film Sense
• ALBERTO CASTELLANO, Don’t Look Down: In support of film dubbing in Italy
• ANNA SOFIA ROSSHOLM, Towards an Aesthetics of Subtitling
• CHRIS WAHL, Discovering a Genre: The Polyglot Film
• BENNET SCHABER, Found in Translation: Some Tendencies in Recent Global Cinema
• Conversations: Natasa Durovicova, Charles Eidsvik, Mario Paolinelli, Tim Parks

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• FRANCESCA LIGUORO, In the death of father – Nick’s Movie
• MASSIMILIANO GAUDIOSI, The earthquake of words in Um Film Falado
• ANNA MASECCHIA, Ce n’est pas une image juste, c’est juste une image – Chantal Akerman
• GIUSTINA D’ORIANO, Coming Home, the Independent Spectator
• MARIA WAY, Church as Auteur – A Strong Hand

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