The Barrier of Screen and the Invisible Images of Cinema
by MARIA IRENE APARICIO Whom God wishes to destroy he first makes mad (Euripides, 425 B.C. / Samuel Fuller in Shock Corridor) T he main purpose of this article is to understand Samuel Fuller’s films “Shock Corridor” (USA, 1963) and “The Big Red One” (USA, 1980) in the context of an emergent debate on “Ethical principles, Moral acts” in Cinema. To achieve this task, an attempt has been made to answer the questions:...
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