Documentary Film as a Catalyst for Social Change
by WOODROW BRYANT HOOD I n “Leaving It Up to the Imagination: POV Shots and Imagining from the Inside” in The Journal of Aesthetics and Art Criticism, Jinhee Choi argues that, “The POV shot has taken a special place in film theories as a device that leads the viewer to identify with a character, by making the viewer replicate the perceptual state of the character” (17). In the article, Choi is referring to a single character POV. In...
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